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NOTES ON ISSUE 4: ALLUSIONS
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…the woman and girl who formed
the staff of domestics regarded her as quite a Sorceress, or
Cinderella’s Godmother, who would send out for a fowl, a rabbit, a
vegetable or two from the garden, and change them into anything she
pleased.
The comparison of Miss Pross to “a Sorceress, or Cinderella’s
Godmother” alludes, of course, to the story of Cinderella. The following
illustrations, from George Cruikshank’s Cinderella and the Glass
Slipper (published in 1854, and thus nearly contemporary with
Dickens’ A Tale of Two Cities), show “The Pumpkin, and the
Rat, and the Mice, and the Lizards, being changed by the Fairy
[Cinderella’s Fairy Godmother], into a Coach, Horses, and Servants, to
take Cinderella to the Ball at the Royal Palace” and “The Fairy
changing Cinderella’s Kitchen dress into a beautiful Ball dress!”
Miss Pross, presumably somewhat larger than Cinderella’s Godmother in
these illustrations, is supposed to be endowed with similar
transformative powers.
Cruikshank, a popular 19th-century
illustrator, created engravings for several of Dickens’
works (Sketches by Boz, Oliver Twist, etc.).
…a blue chamber, to which no one but her Ladybird
ever gained admittance.
Admission to Miss Pross’ “blue chamber” – so-called after the room in
which Blue Beard hid the corpses of his wives after he murdered them –
is strictly limited. Miss Pross, however, is a single woman, and
cherishes her privacy for less ghastly reasons.
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